Categories
Greece (Athens, Delphi)

Your Acropolis Ticket is A Ticket to History

Athens’ Acropolis attracts a global audience hungry for history

When you visit The Acropolis during the summer months, expect crowds. In fact, The Acropolis hosts more than 2.5 million visitors from January through October. However, despite those crowds, expect to enjoy quiet moments for gazing at and studying the historic wonders that exist there.

Yes, you will observe the construction work site that is the Acropolis,…

That’s me striding off to the right. Notice the crane and scaffolding around the Parthenon. This is a giant construction zone.

…but you will also observe a global audience entranced by ancient history. Whether they arrive alone, with a spouse or friend, their family, or an entire tour group, nearly everyone here is a history fan. Yes, perhaps the itinerary stop is one they can’t opt out of; however, once on the hallowed site, I would dare to say their reticence evaporates.

Even if you don’t know much about Greek history and ancient architecture, there are many detailed signs at The Acropolis with illustrations and diagrams to inform you about what you’re seeing.

For your €20 ticket, you can walk the grounds considered holy by the ancient Athenians.

My husband and I were enthralled with the Erechtheion and it’s caryatids, the columns in the forms of female figures.

When my husband and I visited The Acropolis in late May, it was crowded, but I supposed it could have been busier. We approached The Acropolis from the Plaka neighborhood to the south, taking some back streets that slowly ascended as we neared the hilltop.

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The Plaka

Small restaurants, tavernas, and boutiques lined the terraced, tree-covered lanes and stone and marble-paved thoroughfares of the Plaka neighborhood.

 

Once we reached the Acropolis entrance gates, we blended into the line that was forming and seemed to be made up mostly of tour groups. The tour group line eventually veered from our path, since their ticketing arrangements had already been prepared. We, however, remained in the line and inched our way toward the ticket booth.

I looked around at the international variety of people. A party of four ahead of us in line consisted of a husband and wife, their small child, plus one other man.

The husband asked whether a student discount was available off the 20 Euro ticket price. The ticket clerk indicated that yes, he would receive a discount if he provided a college identification card.

“Mine is from a college in England and my friend goes to school in Chile,” the husband said.

“That’s fine,” the clerk replied in his Greek-inflected English. The two men showed their student cards, received tickets for the entire group and sped along.

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 The sounds of clinking tableware on china and the low rumble of conversation fill the streets of The Plaka on a warm June evening in Athens.

We quickly purchased our two adult tickets and entered the gate.

Those who entered with us included families, empty-nesters, retirees, young solo travelers, teenagers. The mix of languages babbled across the grounds: Greek, German, English, French, Chinese, Italian, and others I couldn’t identify.

In the roaming clusters of people navigating their steps over the marble walkways and ledges, I spotted a young man wearing a Texas Christian University t-shirt, a woman in a billowy sundress covered in a pattern of crimson roses and greenery.

I noticed a child in a black tank with a metallic gold Nike logo. I smiled at the irony: here we were, at the palace where Athena, the goddess of wisdom and war, once held Nike in her hand.

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Over the course of the day, thousands of sight-seers inched up the ancient ramp of The Propylaea, the renowned entry to the very top of The Acropolis and its Parthenon, Erectheion and the Temple Athena Nike.

Once they reached the top, it was gratifying to see that all those travelers were not expecting to see a performance, ride a roller coaster or experience any other type of attraction. Those travelers had journeyed from across the globe to simply experience history.


Thanks for reading! It’s nice to know people appreciate history enough to take the time to see this incredible site. Follow my blog for more travel stories from Greece, including Skopelos and Crete, as well as Italy, including Venice and other locales.

Categories
Greece (Peloponnese)

A great man is always willing to be little

His expression compelled me to stop and linger at the display in Mycenae.

 

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This ivory sculpture is in the collection of artifacts at The Archaeological Museum of Mycenae

 

Only three to four inches in height, this ivory Mycenaean sculpture does not overwhelm with its size or weight, but with its expression. Made between 1250-1180 B.C. this “Ivory Male Head Figure” was excavated in the ruins of Mycenae (Mykines) in the Peloponnese region of Greece.

We saw a staggering number—thousands?—of artifacts this past summer; however, this little number above is still my favorite.

To realize it was conceived and shaped by human hands so very long ago is a lesson in humility.

Of what use  is our modern technology?

Of what purposes are our conveniences?

Of what skills can we boast in light of this quiet gem?


On May 29, my husband and I journeyed to Greece for about five weeks. Three weeks were spent on Skopelos, one of the three islands in the Sporades east of the mainland. The remaining two were spent venturing from Mycenae to Delphi to Olympia and finally Heraklion on the island of Crete to tour the sites at Knossos and Phaistos. Athens formed the bookends of our Greek odyssey. 

I posted daily for much of the trip, but still have so much more to tell. Follow my blog and stay tuned.

Acknowledgement: “A great man is always willing to be little.” Ralph Waldo Emerson

Categories
Greece (Crete)

Knossos Palace: A Minoan Culture Club

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Classic photo of the Palace of Knossos. Behind the red columns, you can see the famous Bull Relief Fresco that is shown in the last photo of this article.

Treat yourself to Heraklion, Crete in Greece

“The Minoans. Very smart people,” the guard told me, tapping her index finger on her temple. She had just explained to me (without my asking, by the way… she was that enthusiastic and had walked over on her own to explain) the purpose of a raised ridge near the lip of a large pithoi storage jar at the Heraklion Archaeological Museum. The ridge was wide enough to hold a small bit of liquid. Why? To keep ants and other insects from reaching the grain, wine, olives, olive oil, or whatever else was stored inside. Yes, that’s innovative. But that’s the Minoans.

So even though we’ve been amazed at the age of the monuments and temples at Mycenae, Delphi, Athens, and Olympia, none of these are as ancient as Knossos and the greater Minoan culture.

If you’re unfamiliar with Minoan history or culture, here’s a short blurb from the foreword of a book we purchased in the museum’s gift shop. The book is called Knossos: A New Guide to the Palace of Knossos.

“Knossos, the capital city of the Minoan world, is the most important site in Crete and second only to the Acropolis at Athens in all of Greece. It stands as the symbol of the Minoan Civilization, the earliest to evolve in Greece and Europe. “– Dr. Antonis Vasilakis

The introduction continues:

“Knossos is five kilometers southeast of Heraklion, on the hill of Kephala, and west of the river Kairatos. This advantageous location, which controlled one of the most fertile regions in Crete, was to become the heart of the Minoan civilization, considered to be the first in Europe. The hill of Kephala, inhabited continuously since 7000 BC, was the site of the first Neolithic settlement in Crete and over the millennia it grew into the powerful city and palace of Minoan Knossos.” — George Tzorakis, archaeologist

If you’re like me, the Minoan culture has always been a familiar term, but I’ve never really understood it or been able to recognize its art. Sure, my husband has always admired the Minoans, and has even used Minoan art and pottery to inspire his work, but I’ve never been able on my own to intelligently discuss the Minoans.

But after touring Knossos, I know a little more.  Spending two and-a-half hours at the site and another two hours in the Heraklion Archaeological Museum yesterday has given me a better understanding about not only this culture, but others that either occurred later or were influenced by it.

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A photo taken across one area of the grounds.
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An area adjacent to the grand staircase with the distinctive red columns and frescoes in the back.
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But Knossos has its controversy. The site’s reconstruction is largely the work of Sir Arthur Evans, who began a radical reconstruction program in 1925. Many of the excavations are based on Evans’ research for how Knossos would have appeared. The sign in the photo above explains the controversy very well and in an unbiased way; while some people think Evans’ team went too far in recreating the site, other people believe that without Evans’ reconstructive work, there would be little to show at the site.

 

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The Grand Staircase
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Large pithoi storage jars for holding wine, olive oil, olives, grains.
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Large pithoi jars made by my husband and inspired by the Minoan pithoi. These were made during his three-week art residency at Skopelos Foundation for the Arts on Skopelos Island. The residency ended June 25.
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We arrived at the archaeological site at about 8:30 a.m. Tour bus groups (above) arrived between 10-10:30. We walked right into this particular site (The Throne Room, below) at the grounds; these people will have to wait thirty minutes or more under a cloudless sky. 
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Panoramic shot of The Throne Room, a room used by the king.
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Mitch and I standing in front of a fresco reproduction on the grounds. The original is on display at the Heraklion  Archaeological Museum near the harbor in downtown Heraklion.
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This Bull-Leaping Fresco (1449 BC) is the most intact fresco from the palace. It’s also one of the most recognizable. It depicts a popular sport in Minoan culture, bull leaping. Contestants (male and female, according to the placard at the site) would leap and flip over bulls to compete. 
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The original of the Bull-Leaping Fresco hangs in the museum. Notice that only some of the original excavated pieces have been found. Archaeologists must research to make assumptions to recreate the larger artwork based on the found pieces. 
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Mitch photographing large blocks of gypsum, a popular building material used at Knossos. It was popular due to its ease of use and beautiful appearance when polished. These pieces are rough and have sharp edges due to being exposed to weather.
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A closer look.
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And still closer.
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In addition to using gypsum, the Minoans also used wood. The off-white trim work you see alongside the red is wood, probably cypress. Minoans understood wood’s plasticity that would support and complement stone and stucco.
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More gypsum walls and foundations.
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The Palace at Knossos was complex in that it included many layers of floors.
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The theater and River Road that visitors to the site use to exit the palace grounds.
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The Heraklion Archaeological Museum near the harbor in downtown Heraklion. Don’t let the museum’s plain exterior conceals the fact that inside is an incredible collection of Minoan art from not only Knossos Palace but other Minoan centers. 
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I was captivated by these Cycladic figures, small sculptures made by artists of the islands known as the Cyclades. These were made from 2300-1700 BC.

 

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These cups look so similar to ones we use today, but they were made between 1800-1700 BC.
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An incredible collection of jars. Seriously beautiful.
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This is my husband’s version of Disney World.
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And more jars around every corner. Truly incredible.
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Can’t get over this octopus motif, an example of the “Marine Style” common to Minoan art. 
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Knossos Palace. By the way, banish our modern notion of what a “palace” is. Back in the Minoan era, a palace was more of a center of a community or kingdom. The Knossos Palace included administrative buildings and other functional structures, in addition to royal quarters and the like.
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Double axes of monumental size. The Minoan culture spanned the Stone Age and into the Bronze. 
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Can you believe this carved stone bull was made from 1600-1450 BC? It was actually used to hold liquids. There was a hole in the back for filling and then the liquid would pour out from the bull’s snout.
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A collection of figurative pieces. So expressive!
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A collection of burial coffins known as larnakes. One actually still had a skeleton inside.
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A fresco known as “Ladies in Blue.”  This is the original. A reproduction is found at the archaeological site. 1525-1400 BC

 

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Famous Bull Relief Fresco. Its reproduction at the palace is shown behind the columns in the first photo in the article.
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The book we purchased in the museum gift shot.

Like other Greek archaeological sites, tickets for Knossos were 16€ and included both the site and the museum. The tickets were valid for two days. That means you have all the time you need to tour.


Thanks for reading!  This is the fifth archaeological site we’ve visited during our Greek travels this summer.  Follow my blog for more stories from our trip.