Categories
South Africa

Port Elizabeth, South Africa: The travel is in the details

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Photo: Falco on Pixabay

A haircut, Iron Brew, and biltong in Port Elizabeth

It was raining still. Watery pellets pounded the windshield of our rental Volkswagen minivan as Pieter, our tour guide and professional hunter, searched the streets of Port Elizabeth for a barber shop.

“I need a haircut,” he had told us that morning when we left our lodge in Storms River. He rubbed his stubby fingers across his already short crew. “Yes, I need a haircut.”

After driving for an hour and a half, we had arrived in Port Elizabeth, a city of 312, 000 smack in the center of the South African coast. Back then in 2012, using GPS on a cellphone wasn’t as sophisticated as it is today, and driving up and down the streets of Port Elizabeth’s central business district was the more efficient way, apparently, of locating a barber.

Pieter peered left then right from the driver’s seat, pivoting his huge hunched shoulders back and forth. “I know there’s one here somewhere,” he muttered, careening around another corner. With each turn, my right knee pressed painfully again a white-and-blue striped plastic cooler wedged between the driver’s and front passenger seats. An empty can of Iron Brew soda rolled behind my ankle and into the well alongside the van’s sliding door.

“There she is,” Pieter purred seductively. “At last.” He pulled up to a dimly lit blonde-brick salon. A simple white sign hung squarely above the front door. A black curvy font in capital letters read: The Hairline. “At last we meet,” he shouted. The sudden burst of energy shocked my mother- and father-in-law, husband, daughter, son, and me to attention. It had been a long morning of driving in the mists of a typical South African winter, and we needed to get out.

An establishment called The Hairline was sure to offer a basic haircut, Pieter assured us, as he tossed my father-in-law the keys to the van. “Back in thirty minutes,” he called.

Through the foggy windows of the van, my husband noticed a drugstore five doors down.

“They’ll have a Sudafed equivalent, don’t ya’ think?” my daughter asked. There was only one way to find out, so we left my in-laws behind and ventured into the icy, blowing mist.

After purchasing our “Sudafed,” we lingered in the drugstore to peruse the variety of non-drug products: sunglasses, Cadbury chocolate, umbrellas, magazines, souvenir key chains, magnets. We analyzed a minuscule selection of locally-made biltong, a jerky-like snack, arranged in a red wicker basket on the cashier’s counter. The biltong seemed as out of place in a pharmacy as I felt on the side streets of a South African industrial port city, I thought.

I checked my watch. “It’s been thirty minutes,” I said, motioning that it was time to head for the van. Sure enough, Pieter and about three thousand very short hairs were waiting on us.

That was the last time I would see Port Elizabeth, perched along the very southern edge of the African continent. It was not an eventful visit, but it was memorable. After all, we should not underestimate the power of details, no matter how small or seemingly insignificant.

I’m sure many will scoff at our scant, all-too-brief encounter with the city now known as Nelson Mandela City. To be sure, there are many deserving and fascinating sights to see there.

As we left the city in the dim, rainy morning of middle June, I watched the ships, barges, and freighters skim over the whitecaps of the distant bay. The vessels resembled tiny dashes and dots. A bright white Morse Code against the waves, the vessels sailed steadily to their next destination.


This post was originally published last spring on Medium.com. Somehow, I never cross-posted it to this blog. Our trip to South Africa happened in 2012; it’s just now that I’m documenting some of our memories—both the memorable and the more forgettable ones—on my blog. Check out my South Africa category for more stories from this trip.

Categories
Italy (Venice)

The Jewish Ghetto of Venice: A Walking Tour

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It was a warm, sunny day when we visited the Campo di Ghetto Nuovo, the square that anchors  the Jewish Ghetto in Venice’s Cannaregio in the northwest part of the city.

Five facts and photos from our brief visit to this less traveled Venetian sight

In June, my daughter and I took an afternoon in Venice to see the Jewish Ghetto located in the Cannaregio sestiere, in the north of the city. Two years earlier, on a previous week-long trip to Venice, I had wanted to see the ghetto, but ran out of time. Therefore, in June, it was still on my return trip bucket list.

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My daughter and I on our way to Cannaregio to take a walk through the Jewish Ghetto.

Honestly, we didn’t plan this little jaunt well. We just took off for Cannaregio shortly after lunch on the last day of my visit. (She had the day off from her two-month internship at the U.S. Pavilion of the Biennale del Arte and wouldn’t be leaving for another month.)

So while I wish I had taken a guided tour offered by the Jewish Museum of Venice and was able to tell you more about Venice’s Jewish Ghetto—the first of its kind in the world—I’m still grateful that we spent the hour or so there.

Even so, with the recent flooding in Venice, the ghetto has suffered. Fortunately, the synagogues are located on top or upper floors. According to this article in The Jerusalem Post, a storage facility and kosher restaurant were damaged. 

To find the ghetto, we used Google Maps, rode a vaporetto to the train station (the Ferrovia stop), and then wound our way through Cannaregio. We crossed a bridge, made a left alongside a row of shops bordering the canal, and walked right past an easy-to-overlook brick tunnel.

Following Google Maps, we turned around eventually, and wandered through that brick doorway. We followed the maze. Within a minute or two, we walked by a shop full of art prints and originals, a jewelry store, a book seller, a bakery.

 

It was quiet in the darkened corridors.

We heard the rumbles of the vaporetti (water buses) in the distance, layered behind the sounds of our own footsteps.

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This sign was posted within the front windows of an art shop down a corridor just off the the main campo of the ghetto.

After browsing through some lithographs and snapping a picture of the detailed sign above summarizing the history of the ghetto, we entered the Campiello de le Scuole, the “little square of the synagogues.” A seven-story building stood plainly before us. I have read since that this building demonstrates the tight quarters the Jewish people were contained in. Judging by the windows, these units couldn’t have contained standard 8-foot ceilings. In fact, these buildings were “the tallest buildings with the lowest-ceilinged apartments” in Venice, wrote David Laskin in this New York Times article.

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This building in the Campiello de le Scuole shows how concentrated the floors were.

We continued past this small square. Not more than one minute further into the labyrinth, we found ourselves in the main campo of the Jewish Ghetto, the Campo de Ghetto Nuovo.  In the square, a dozen people mingled and conversed quietly. A small tour group gathered at the base of the Jewish Museum of Venice.

A boy wearing a yarmulke, who looked to be about twelve years old, kicked a ball in the cool shade under a covered overhang on one of the many multi-story buildings that lined the campo. 

The afternoon was clear and sunny. And hot. It was the perfect day to tour cool and darkened museums and synagogues. But alas, we hadn’t planned well enough to do that. Perhaps on my next visit to Venice (I can’t imagine there’s not another one in my future!), I’ll plan better. In the meantime…

Here are five facts I have learned since about Venice’s Jewish Ghetto:

  1. It was established by the Doge Leonardo Loredan in 1516, according to this website. The ghetto in Venice was one of the world’s first places where people were forcibly segregated because of their religion. An observance of the 500-year anniversary of the establishment of the ghetto was held in 2016. A major art exhibition at the Doge’s Palace, special performances at the Fenice Opera House, and other events around the city were held to mark the milestone.

2. The English word “ghetto” is derived from the Jewish Ghetto in Venice, originating from the Venetian word ghèto and the Italian word ghetto, according to Chabad.org. The word “geto” in the Venetian dialect referred to a foundry, which was located nearby. Eventually, the word was used to refer to the area that contained the Jewish people.

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This is a nursing home that forms one side of the campo.

3. At its height, around 1650, the Ghetto housed 4,000 to 5,000 people in a space roughly equivalent to 2-1/2 city blocks. Later, in the years prior to World War II, about 1,300 Jews lived in the Ghetto.  During the war, 289 were deported by the Nazis to Auschwitz and Trieste; only seven returned.

Today, about 450-500 Jews live in Venice. A small number still live in the ghetto.

4. During the ghetto’s early years, its residents were limited as to where they could travel and work. They also had to pay for their own watchmen and security. In addition, their clothing was used to mark them: men wore yellow circles sewn to their left shoulders of their clothing; women wore yellow scarves.

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Photo courtesy of The Jewish Museum of Venice

5.  There are five active synagogues in the Jewish Ghetto today. To see the synagogues, one must sign up for public guided tours conducted by the Jewish Museum of Venice. Tours are scheduled every half hour starting at 10:30 and ending at 17:30. Tickets are 12 Euro each. Visit this website for more information.

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The plaque below describes the above sculpture, titled The Last Train, created by sculptor and Lithuanian-Jew Arbit Blatas. The sculpture shows Jews being loaded onto cattle cars. I believe the top line on the plaque is a dedication of the sculpture by the Jewish community of Venice to those deported to concentration camps of Nazi Germany.

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A composition of seven bronze sculptures depicts the atrocities inflicted upon the Jewish people during World War II. Close-up photos of three of these sculptures and the inscription plaques at far right are below.

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The top plaque reads: “Men, women, children, masses for the gas chambers advancing toward horror beneath the whip of the executioner. Your sad Holocaust is engraved in history, And nothing shall purge your deaths from our memories, For our memories are your only grave.”  The bottom plaque reads: “The City of Venice remembers the Venetian Jews who were deported to the Nazi concentration camps on December 5, 1943 and August 17, 1944.”
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This is the door to the Scola Levantina, a synagogue just off the main campo of the ghetto.  It was built between 1538-1561. The distinctive cupola above the door makes it stand out from others in the area.
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This is another shot of the campo taken as we left the Jewish Ghetto.

Thanks for reading! This stop during my stay in Venice last summer was followed by a warm walk back through Cannaregio. On our way back to Santa Elena, we stopped along the Zattere at a Conad Supermarket for groceries we would need later that night for dinner. Follow my blog for more stories from my trip last summer to Skopelos, the Peloponnese, Crete, and, of course, Venice.

Categories
Uncategorized

Breaking into Dave’s Travel Corner

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This article was published on Dave’s Travel Corner. 

This huge travel blogging site published one of my recent articles

It’s nice to know that Dave’s Travel Corner, a leading and independent travel and lifestyle blogging platform with 500,000 followers across the major social media services, published one of the articles I wrote while in Greece in June. Actually, the post ran on Dave’s Travel Corner in July. I remember uploading it to the site’s “journals” page, a place for visitor-submitted travel stories.

The submission guidelines warn that publication may take up to a few weeks. It also warned that notification of publishing might not be sent.  Oh, well, I thought. I’ll just submit it and forget it.

Which I did. And then I “googled” myself over the weekend. About ten listings down, there it was: Dave’s Travel Corner.

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As a neophyte travel blogger, it’s nice to get more exposure for my writing. I spent quite a bit of time (three to four hours, I would guess) on this particular article.  Even though there isn’t any any compensation for pieces like this, I still appreciate seeing my writing qualifying for publication on a reputable, well-known travel site like Dave’s Travel Corner.

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This is the lead photo for the article published on Dave’s Travel Corner.

Thanks for reading! I’ve been really busy lately (I’m also a FT teacher) and it’s been especially hard to find extra time to publish posts to this blog. Hopefully, the upcoming holiday weekend will allow me a few hours to add a post about my visit to the Jewish Ghetto in Venice this past June.

Categories
Greece (Athens, Delphi)

A Strange Situation in the Athens Subway

An unsettling episode on our otherwise comfortable journey through Greece

I guess nothing came of the strange situation I saw two days ago in Athens.  Here’s what happened somewhere between the Omonoia and Ministiraki stations.

So, okay. I’m sitting on this gray metal bench waiting for a train to whisk my husband and I to our AirBnB in Paiania. As I stared at the departure sign’s red digital numbers, I noticed two security guards casually saunter up, talking between themselves. One, pale and tall, walked with his hands in his pockets, eyes on the ground as he spoke to his partner who, with his salt and pepper hair, appeared to be nearing retirement age.

I took note: two security guards.  Together.

Now I come from a small town in Kansas and have lived in rural Missouri for thirty years. I know next to nothing about public transit, let alone public transit in downtown Athens. Do security guards often travel in twos? Or just when a situation warrants it?

Whatever, I thought, my eyes moving from the guards back to the digital sign. It indicated our airport-bound train should arrive in about six minutes.

To the right, toward my bench on the platform, a man approached.

Here’s what I noticed:

  1. He was wearing a straw hat, a wide-brimmed style,
  2. and a too-small faded blue suit jacket,
  3. and black sunglasses,
  4. and a canvas hat under the straw one (yes, two hats),
  5. and long, wavy black hair stuffed under the neck flap of the canvas hat,
  6. plus, a drab white-and-blue plaid shirt under the ill-fitting suit jacket.

Here’s what I wish I had noticed: his shoes. They say shoes can say a lot about a person, but I didn’t look at his shoes. I couldn’t get past the straw hat.

Neither could the security guards. Once Straw Hat walked up, they took note. They had been standing silently, but when Straw Hat entered the scene, the taller guard whispered to the other.

The two guards passed by me and walked to the platform edge. They watched the man approach my bench, stop two feet short next to a garbage can, and stand quietly.

I turned away from Straw Hat to my husband sitting to my left. “Do you see this guy?” I whispered.

“If he gets on the train, we’re staying behind for the next one,” he mumbled quietly.

I watched the security guards. The taller one occasionally glanced over at Straw Hat. He made eye contact with the strange dresser. It reassured me to see that the guard wanted Straw Hat to know that he was being watched.

Good, I thought. They’re on to him. And Straw Hat knows it.

I shifted back on the bench and returned my gaze to the digital sign.

Five minutes.

More passengers wandered to the platform. One camera-toting man, a tourist obviously, noticed Straw Hat. His eyes snagged on the hat, and then dropped to scan the rest of the ensemble. He turned away.

Three girls wearing summer tans and sundresses walked up, chatting away, oblivious to Straw Hat. A mother pushing a stroller rolled onto the scene, her eyes never raising from her precious cargo. Two more men walked up. Both glanced at the hat, one’s eyes resting for an uncomfortable three seconds on the costume.

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Photo: Marilyn Yung

Four minutes.

The taller guard glanced again at the costumed man and made a call on his cell phone. The other tugged on his belt, straightening his gray shirt that read “Private Security” in all capitals.

Three minutes.

The crowd had grown. The sounds had changed: wheeled luggage rumbled by, shoes and flip flops shuffled through.

Several old men gathered. Two were in a heated conversation. One repeatedly pressed and raised his index finger up and down into his palm, counting off some reasons he was fired up about. At one point, his eyes caught the Straw Hat. He stopped for a split-second, wrinkled his brow in curiosity, and turned away to continue his reasoning.

Two minutes.

I turned to my husband. “Still watching him?”

“Just hang back when the train gets here,” he said, looking straight ahead, keeping the man in his peripheral vision.

In the corner of my eye, I watched, too. Straw Hat gingerly tugged at the cuffs of his sleeves to lower them. They already hung too low, I thought, nearly an inch beyond the hem of his jacket. He then inspected his fingertips. Pale hands, I noticed. Dirty nails. The few tendrils of black hair that I could see were so black they shone blue under the overhead LED lighting. He spent time tucking his hair under the neck flap.

One minute.

From down the tunnel, we heard a dull, deep roar of an oncoming train. Its front sign showed that it was bound for another central Athens station… not the airport. It slowed to a stop at the platform and the doors slid open.

A rush of passengers disembarked, displacing the chatting girls, the camera-toting tourist, the old men, the doting mother. As the train emptied, those waiting flowed toward it, including Straw Hat.

Suddenly, another man appeared wearing a sophisticated, double-breasted gray suit and carrying a clear plastic bag.  Two packages were inside wrapped in white paper. He approached Straw Hat, paused, and turned to face the train.

Straw Hat leaned forward and muttered words into the space between them. Then he turned toward the second train car and boarded. Gray Suit boarded the first car. So did the security guards. The taller one kept his eye on Straw Hat in the next car. Had they seen the comment exchanged with Gray Suit? Were they aware that they needed to watch him, too?

More passengers boarded. A few last-minute riders scurried to the platform, scooting inside the train at the final second before the doors slid shut. A bell sounded and the train sped away.

We wondered.

What was about to happen? Anything? Why would anyone dress so conspicuously? Was Straw Hat planning to peel off the layers of his costume as his crime progressed? Was he the distraction to entice watchful eyes off Gray Suit, the truly dangerous one?

We still wonder. What exactly did we witness? We heard nothing about the incident, but then again we probably wouldn’t. Beyond the most basic phrases, we don’t speak Greek, so asking someone or watching the TV for news is futile.

Our Athens transit experience is one of those curious travel stories. A peculiar memory. A shared inexplicable moment that we trust resulted in nothing more than an eyebrow-raising incident to retell over the years. This one story is thankfully the only unsettling episode on our otherwise comfortable journey through Greece.

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Photo: Marilyn Yung

Featured Photo Credit: Marilyn Yung


Thanks for reading! This happened two days ago in downtown Athens. It was very unnerving at the time. The two men could have merely been out pick-pocketing. About ten minutes prior to this story, a station employee had warned my husband to wear his backpack on his chest. “The pickpockets are out today,” he had said. Maybe that’s all it was.

Leave a comment if you’ve had a similar puzzling encounter. Feel free to follow my blog for more travel stories.

Categories
Greece (Athens, Delphi)

A Day in Delphi

Delphi: Greece’s Top Divine Destination

Our visit to Delphi was our favorite single day of our six-week Greek odyssey. Once we figured out the Greeks pronounce the divine destination “Delfie, as if to rhyme with selfie, we settled in and fully enjoyed our day.

So… I think it made perfect sense to attempt a Delfie selfie today when we visited the archaeological wonder. I don’t take many selfies (and by that I mean as few as possible), but this post includes two or three to take care of the issue for awhile.

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Another selfie in front of the Treasury of the Athenians

When we added Delphi to our list of must-see attractions, I had no idea we would be scouring over a steep mountainside full of pine and cypress trees. In fact, this is snow skiing country. The next town over, Arachova, offers skiing during the winter months. I guess I just didn’t realize how “Alpine” the Delphi would feel.

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Treasury of the Athenians

In a sentence or two, “Delphi could be described as a religious complex centered around the Oracle of Delphi that was located in the Temple Apollo,” according to a book we bought, Delphi and Its Museum, by Panos Valavanis. Delphi flourished during the Archaic and Classical period of Ancient Greece, roughly from the 6th – 4th centuries BC.

On the UNESCO World Heritage site placard near the entrance to the grounds, it reads:

“The archaeological site of Delphi is Panhellenic sanctuary with an international fame. Its remnants represent some of the foremost events of art and architecture. The sanctuary, which combines in a unique manner the natural and historical environment, is related to numerous, key events of Greek history that have an impact on the progress of civilization.”

It continues: “Inscription on this List confirms the outstanding universal value of a cultural or natural property which deserves protection for the benefit of all humanity.”

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Okay, not exactly a selfie, but a nice lady from Australia took this for us. We’re standing in front of the Temple to Apollo and the Serpentine Column.

Here are some major sites within the Delphi archaeological site:

  • The Treasury of the Athenians
  • Temple to Apollo
  • Theater
  • Stadium
  • Tholos at Delphi
  • The Sanctuary of Athena Pronaia

However, besides all these major sites, there are numerous other objects, foundations, walls, and monuments to distract and fascinate you. And don’t forget the magnificent natural beauty of the place.

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Theater on the left. Temple to Apollo is on the right. Clear down the hill you can see more ruins. This was taken on our way to the stadium all the way at the top of the site.

We took so many pictures at Delphi today that there’s NO WAY I could post them all. Here are a fraction of the photos we took at both the archaeological site and at the museum.

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Temple to Apollo is on the right. Other buildings (there are so many we couldn’t keep track of them all) are on the left.
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Carved inscriptions are on practically every surface.  Most of these were written by slaves who were guaranteed their freedom by Apollo, according to a book we bought in the museum.
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A closer view of the carved inscriptions.
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The long view of the wall. Most stones had inscriptions on them.
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Capitals that would have topped columns. They’re just here, there and everywhere.
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The Tholos, a round temple. This is the structure I’m standing in front of in the selfie at the top of this story.
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I took this to show the detail of the underside of the Tholos.
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The stadium clear up at the top of the site. Panhellenic Pythian Games were held here.
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We snacked on this stone bench over by the stadium. I think it could actually be a bench from the stadium itself. There are stone pieces everywhere. They had to fall there from something.
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Column drums that were stacked to form tall columns. That’s my purse next to one to show scale. In the background by the person in the pink shirt, is a base that these columns may have been stacked on.
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I thought this column was interesting because of its sharp edges. If you look closely, you’ll see carved inscriptions on the stones.
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A trough for carrying waters from the natural fountains on the mountain.
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It’s interesting. Right alongside some fire extinguishers and a storage chest, you’ll find ancient Greek columns. No big deal.
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And then we went to the museum.
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The Argos Twins, Cleobis and  Biton… Careful what you wish for. These were the boys whose mother asked the gods to bless them for carrying her to the temple of Hera. As a result, they were given the greatest gift… death at their finest moment.
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The Sphinx, a gift from the island of Naxos, given to Apollo Delphi to gain the gods’ favor.
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Aghias, son of Aknonis. An athlete (that’s why he’s nude) and shows how the ancient Greeks used contrapposto, which is an assymetrical arrangement of the body. Contrapposto allows a more natural stance.
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The bronze Charioteer is the grand finale of the museum.

We spent about four-plus hours total touring the archaeological sites and the museum. We started in about 9 a.m. and finished up around 1:30 p.m. The weather was very warm, but very nice in the shade.

We had about an hour before the tour buses arrived, so the sites really weren’t that crowded. And because many if not most people don’t go down to the Tholos of Delphi and the Sanctuary of Athena (which are located down the hill and separate from the main complex), we felt like we had a very thorough visit.

Tomorrow… on to Olympia!


Thanks for reading! Leave a comment if you’ve been to Delphi! What was your favorite part of your time there? Follow my blog for more stories from our 2019 Greece trip.